The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: But if human nature is even in the worst of men occasionally kind,
it is still, and before all things, greedy; and they soon turned
from the mourner to their own concerns. The cache of the treasure
being hard by, although yet unidentified, it was concluded not to
break camp; and the day passed, on the part of the voyagers, in
unavailing exploration of the woods, Secundra the while lying on
his master's grave. That night they placed no sentinel, but lay
altogether about the fire, in the customary woodman fashion, the
heads outward, like the spokes of a wheel. Morning found them in
the same disposition; only Pinkerton, who lay on Mountain's right,
between him and Hastie, had (in the hours of darkness) been
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Pons by Honore de Balzac: for my bits of affairs--he is the bailiff. If you give his clerk power
to act for you, you need not trouble yourself any further."
Remonencq and La Cibot, prompted by Fraisier, had agreed beforehand to
make a suggestion which stuck in Schmucke's memory; for there are
times in our lives when grief, as it were, congeals the mind by
arresting all its functions, and any chance impression made at such
moments is retained by a frost-bound memory. Schmucke heard his
companion with such a fixed, mindless stare, that Remonencq said no
more.
"If he is always to be idiotic like this," thought Remonencq, "I might
easily buy the whole bag of tricks up yonder for a hundred thousand
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton: in with the course of events.
Wyant could now comfortably speculate on the particular
complications from which his foresight had probably saved him.
The climax was unexpectedly dramatic. Miss Lombard, on the brink
of a step which, whatever its issue, would have burdened her with
retrospective compunction, had been set free before her suitor's
ardor could have had time to cool, and was now doubtless planning
a life of domestic felicity on the proceeds of the Leonardo. One
thing, however, struck Wyant as odd--he saw no mention of the
sale of the picture. He had scanned the papers for an immediate
announcement of its transfer to one of the great museums; but
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prufrock/Other Observations by T. S. Eliot: The last twist of the knife.
Morning at the Window
They are rattling breakfast plates in basement kitchens,
And along the trampled edges of the street
I am aware of the damp souls of housemaids
Sprouting despondently at area gates.
The brown waves of fog toss up to me
Twisted faces from the bottom of the street,
And tear from a passer-by with muddy skirts
An aimless smile that hovers in the air
And vanishes along the level of the roofs.
Prufrock/Other Observations |