Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madam How and Lady Why by Charles Kingsley:

believe, only over this one little planet called earth--for millions on millions of years, we should not get to the end of our searching. The more we learnt, the more we should find there was left to learn. All things, we should find, are constituted according to a Divine and Wonderful Order, which links each thing to every other thing; so that we cannot fully comprehend any one thing without comprehending all things: and who can do that, save He who made all things? Therefore our true wisdom is never to fancy that we do comprehend: never to make systems and theories of the Universe (as they are called) as if we had stood by and looked on when time and space began to be; but to remember that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sense and Sensibility by Jane Austen:

No, Marianne.--THEN, if I had not been bound to silence, perhaps nothing could have kept me entirely--not even what I owed to my dearest friends--from openly shewing that I was VERY unhappy."--

Marianne was quite subdued.--

"Oh! Elinor," she cried, "you have made me hate myself for ever.--How barbarous have I been to you!-- you, who have been my only comfort, who have borne with me in all my misery, who have seemed to be only suffering for me!--Is this my gratitude?--Is this the only return I can make you?--Because your merit cries out upon myself,

Sense and Sensibility

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

what Dr. Jackson distinguishes as the first class of dialogues from the second equally assert or imply that the relation of things to the Ideas, is one of participation in them as well as of imitation of them (Prof. Zeller's summary of his own review of Dr. Jackson, Archiv fur Geschichte der Philosophie.)

In conclusion I may remark that in Plato's writings there is both unity, and also growth and development; but that we must not intrude upon him either a system or a technical language.

Balliol College, October, 1891.

NOTE

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

determined to return to Fouzilhic, and ask a guide a little farther on my way - 'a little farther lend thy guiding hand.'

The thing was easy to decide, hard to accomplish. In this sensible roaring blackness I was sure of nothing but the direction of the wind. To this I set my face; the road had disappeared, and I went across country, now in marshy opens, now baffled by walls unscalable to Modestine, until I came once more in sight of some red windows. This time they were differently disposed. It was not Fouzilhic, but Fouzilhac, a hamlet little distant from the other in space, but worlds away in the spirit of its inhabitants. I tied Modestine to a gate, and groped forward, stumbling among rocks,