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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Prufrock/Other Observations by T. S. Eliot:

I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.

Portrait of a Lady

Thou hast committed-- Fornication: but that was in another country,


Prufrock/Other Observations
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beast in the Jungle by Henry James:

this weight it apparently was that still pressed out what remained in him of speakable protest. "I believe you; but I can't begin to pretend I understand. NOTHING, for me, is past; nothing WILL pass till I pass myself, which I pray my stars may be as soon as possible. Say, however," he added, "that I've eaten my cake, as you contend, to the last crumb--how can the thing I've never felt at all be the thing I was marked out to feel?"

She met him perhaps less directly, but she met him unperturbed. "You take your 'feelings' for granted. You were to suffer your fate. That was not necessarily to know it."

"How in the world--when what is such knowledge but suffering?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lay Morals by Robert Louis Stevenson:

in life. Her husband loved the heels of her feet and the knuckles of her fingers; he loved her like a glutton and a brute; his love hung about her like an atmosphere; one that came by chance into the wine-shop was aware of that passion; and it might be said that by the strength of it the woman had been drugged or spell-bound. She knew not if she loved or loathed him; he was always in her eyes like something monstrous - monstrous in his love, monstrous in his person, horrific but imposing in his violence; and her sentiment swung back and forward from desire to sickness. But the mean, where it dwelt chiefly, was an apathetic fascination,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Old Maid by Honore de Balzac:

CHAPTER VI

FINAL DISAPPOINTMENT AND ITS FIRST RESULT

The next day, Mademoiselle Cormon, packed into the old carriole with Josette, and looking like a pyramid on a vast sea of parcels, drove up the rue Saint-Blaise on her way to Prebaudet, where she was overtaken by an event which hurried on her marriage,--an event entirely unlooked for by either Madame Granson, du Bousquier, Monsieur de Valois, or Mademoiselle Cormon himself. Chance is the greatest of all artificers.

The day after her arrival at Prebaudet, she was innocently employed, about eight o'clock in the morning, in listening, as she breakfasted, to the various reports of her keeper and her gardener, when Jacquelin