The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Travel by Robert Louis Stevenson: Leave here the fatted cattle,
And paint on foreign lands and skies
My Odyssey of battle.
The untented Kosmos my abode,
I pass, a wilful stranger:
My mistress still the open road
And the bright eyes of danger.
Come ill or well, the cross, the crown,
The rainbow or the thunder,
I fling my soul and body down
For God to plough them under.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Meno by Plato: immediately afterwards, 'I have said some things of which I am not
altogether confident.' (Compare Phaedo.) It may be observed, however,
that the fanciful notion of pre-existence is combined with a true but
partial view of the origin and unity of knowledge, and of the association
of ideas. Knowledge is prior to any particular knowledge, and exists not
in the previous state of the individual, but of the race. It is potential,
not actual, and can only be appropriated by strenuous exertion.
The idealism of Plato is here presented in a less developed form than in
the Phaedo and Phaedrus. Nothing is said of the pre-existence of ideas of
justice, temperance, and the like. Nor is Socrates positive of anything
but the duty of enquiry. The doctrine of reminiscence too is explained
|