| The first excerpt represents the past or something you must release, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde: the usual irrevocable oblivion. The accuracy of the French was
freely canvassed, and of course it is obvious that the French is not
that of a Frenchman. The play was passed for press, however, by no
less a writer than Marcel Schwob whose letter to the Paris
publisher, returning the proofs and mentioning two or three slight
alterations, is still in my possession. Marcel Schwob told me some
years afterwards that he thought it would have spoiled the
spontaneity and character of Wilde's style if he had tried to
harmonise it with the diction demanded by the French Academy. It
was never composed with any idea of presentation. Madame Bernhardt
happened to say she wished Wilde would write a play for her; he
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Turn of the Screw by Henry James: The result of our having everything out was simply to reduce
our situation to the last rigor of its elements. She herself had
seen nothing, not the shadow of a shadow, and nobody in the house
but the governess was in the governess's plight; yet she accepted
without directly impugning my sanity the truth as I gave it to her,
and ended by showing me, on this ground, an awestricken tenderness,
an expression of the sense of my more than questionable privilege,
of which the very breath has remained with me as that of the sweetest
of human charities.
What was settled between us, accordingly, that night, was that we
thought we might bear things together; and I was not even sure that,
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The third excerpt represents the future or something you must embrace, and is drawn from Options by O. Henry: but I kept on talking. Pretty soon I got a chance to tell him that
story about the Western Congressman who had lost his pocket-book and
the grass widow--you remember that story. Well, that got him to
laughing, and I'll bet that was the first laugh those ancestors and
horsehair sofas had heard in many a day.
"We talked two hours. I told him everything I knew; and then he began
to ask questions, and I told him the rest. All I asked of him was to
give me a chance. If I couldn't make a hit with the little lady, I'd
clear out, and not bother any more. At last he says:
"'There was a Sir Courtenay Pescud in the time of Charles I, if I
remember rightly.'
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