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Today's Stichomancy for Jim Carrey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac:

them? Who was likely to attack them?

He followed the advice of his aunt and confided the drawing-up of the marriage contract to Maitre Mathias. But these threatened discussions oppressed him, and he went to see Madame Evangelista and announce his intentions in a state of rather lively agitation. Like all timid men, he shrank from allowing the distrust his aunt had put into his mind to be seen; in fact, he considered it insulting. To avoid even a slight jar with a person so imposing to his mind as his future mother-in-law, he proceeded to state his intentions with the circumlocution natural to persons who dare not face a difficulty.

"Madame," he said, choosing a moment when Natalie was absent from the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Young Forester by Zane Grey:

A lot you care about my sore wrists. You're weakening, Buell, and you know it. You've got a yellow streak."

"Shet up!" said Herky, in a low, sharp tone. A silence followed. "Buell, look hyar in the trail. Tracks! Goin' in an' comin' out."

"How old are they?"

"I'll bet a hoss they ain't an hour old."

"Somebody's usin' the cabin, eh?"

The men then fell to whispering, and I could not understand what was said, but I fancied they were thinking only of me. My mind worked fast. Buell and his fellows had surely not run across Hiram Bent. Had the old hunter deserted me? I flouted such a thought. It was next to a certainty that he


The Young Forester
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

become bright, instead of remaining blank, as under simple astonishment; and the mouth, instead of gaping open, expands into a smile.

_Fear, Terror_.--The word `fear' seems to be derived from what is sudden and dangerous;[15] and that of terror from the trembling of the vocal organs and body. I use the word `terror' for extreme fear; but some writers think it ought to be confined to cases in which the imagination is more particularly concerned. Fear is often preceded by astonishment, and is so far akin to it, that both lead to the senses of sight and hearing being instantly aroused. In both cases the eyes and mouth are widely opened, and the eyebrows raised. The frightened man at first stands like a statue motionless and breathless,


Expression of Emotion in Man and Animals
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Waste Land by T. S. Eliot:

Old man with wrinkled female breasts, can see

At the violet hour, the evening hour that strives 220 Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. Out of the window perilously spread Her drying combinations touched by the sun's last rays, On the divan are piled (at night her bed) Stockings, slippers, camisoles, and stays. I Tiresias, old man with wrinkled dugs Perceived the scene, and foretold the rest --


The Waste Land